<b>Finder Wyvernspur:</b>
<i>The Nameless Bard</i><br>
<b>Symbol:</b> A white harp on gray circle <br>
<b>Home Plane</b>: Fermata, which is situated on the plane of Arborea <br>
<b>Alignment</b>: CN <br>
<b>Portfolio</b>: Cycles of life, transformation of art, saurials<br>
<b>Domains</b>: Chaos, Charm, Renewal, Scalykind<br>
<b>Worshipers</b>: artists, bards, saurials <br>
<b>Aliases</b>: N/A <br>
<b>Cleric Alignments:</b> CG, CN, CE <br>
<b>Favored Weapon:</b> "Sword of Songs" (bastard sword)<br>
<b>History/Relationships:</b>
Finder Wyvernspur (find-er wihv-urn-spur), the god of the cycle of life and the transformation of art, is chaotic neutral. He is also known as the Nameless Bard, a title he gained during a lengthy period of exile while he was mortal. He is a new deity, having achieved divinity only a few years ago. He teaches that in order to thrive, everything, especially art, much change and grow. Although his faithful are few in number at the moment small, he is worshiped by bards and artisans who wish to explore nontraditional methods of expression, as well as the saurials (civilized lizardfolk from another plane) of the Desertsmouth Mountains. The domains associated with him are Chaos, Charm, Renewal, and Scalykind, and his favored weapon is the bastard sword.
A few centuries ago, Finder was a member of the Wyvernspur family, who are nobles in Cormyr, and a highly accomplished bard. Rising to prominence among the Harpers, he was quite successful in his youth. Finder's skills in music were such that his songs transcended mere music, inspiring others to great works, renewed vigor or deep despair.
Inevitably, Finder's works were copied by other performers, who added their own twists to his songs. It was inevitable that their performances would thus veer from the level of perfection that Finder strove for. In anger at the corruption of his works, Finder vowed to create a method by which his songs would be preserved in the ideal state; that is, the way he himself wanted.
Disregarding the advice of powerful mages who claimed it was too dangerous, Finder first modified an artifact, the Finder's Stone, to act as a recording and playback device for his music, spells, and journal. He accomplished this by inserting a sliver of para-elemental ice into the stone, cooling it while simultaneously expanding it's storage capacity. The Stone was a success, however Finder wasn't satisfied by the flat, unliving playback it delivered.
To make his music both "alive" and immortal, he then devised a magical clone of himself that he could fill with memoriesâincluding his music. This clone, Flattery Wyvernspur, was physically almost identical to Finder. However, the egotistical Finder was unsatisfied by the emotionally childlike and inexperienced clone's imperfect reproductions of Finder's music. After only a week of unsuccessful practice, Finder lashed out in frustration and struck the clone. He continued a cycle of abuse until finally, Flattery snapped and attempted to kill Finder with a ring of disintegration. One of Finder's apprentices died when he threw himself in front of the beam, while another was later driven to suicide by the now evil Flattery. This resulted in a severe backlash to Finder's reputation within the still fledgling Harper organization, despite Finder's attempts at a partial cover-up. He claimed his apprentices were injured in an explosion in which the clone was also killed. Flattery actually escaped, and cleaned out Finder's lab. Finder himself was brought to trial before the Harpers, including Elminster.
The verdict was harsh: many Harpers had watched Finder's obsession grow, and the fatal result of his attempts to preserve his music were viewed as a terrible crime. The Harpers condemned Finder to timeless existence in the Citadel of White Exile, located on the border between the Positive Energy Plane and the Plane of Gems. His songs and his name were wiped from the Realms. Only a few, such as Elminster and Morala of Milli, remembered them, in case they should emerge again.
Centuries later, the sorceress Cassana found details of Finder's experiments and tracked him down in the Citadel. She offered him a second chance, though her motives for doing so were dark. He accepted, and the result was the adventuress Alias, who he filled with false memories and all of his music. In her release from Cassana and the "Dark Masters," Alias met Finder, known as Nameless, and he discovered that she, too, had been adapting his music to enhance it. However, Finder found he could accept this fact. Within a year, Flattery reemerged and attempted to steal the Wyvern's Spur, an artifact and heirloom of the Wyvernspurs. He was killed when Giogi Wyvernspur used the Spur against him.
Now returned to the Realms, Finder was yet again put on trial, this time to determine whether he could be reintroduced into the realms or returned to the white citadel. After a long and dangerous journey with his halfling friend, Olive Ruskettle, Finder found the love and courage within himself to sacrifice the Finders stone and save the realms from the evil Moander. At that time, Moander had enslaved a number of the otherworldly reptilian humanoids known as Saurials, and captured the Turmish mage Akabar bel Akash in a plot to build a new body. By dismantling the stone and using the para-elemental ice at its core, Finder was able to slay Moander's real body in Tarterus, and claim its godly essence for his own. Moander's portfolio of rot and corruption, however, remained unclaimed by the bard.
In doing this, Finder freed the Saurials, one of whomâ"Dragonbait"âwas travelling with Alias at the time, who had been enslaved by Moander. Finder immediately gained the worship of this stranded race (excepting Dragonbait who followed Tyr), as their own deities remained on the world they left behind. He was also pardoned by the Harpers for his bravery, and his name and songs were restored to the Realms.
Still a fledgling power, Finder started to develop a base of worshippers at the urging of his first priestess, the Saurial Copperbloom. To do so, he manifested himself to a young bard named Joel, posing as the elderly priest Jedidiah, who espoused the wonders of Finder's vision. Joel later became close friends with Finder, as well as his first human cleric, from the time they spent together searching for an artifact, the Hand of Bane.
Finder is tolerated by most of the good pantheon. His closest ally is Tymora, who sponsored his rise to godhood, and it is believed, as his old patron deity, helped him permanently slay Moander. He is jokingly referred to as the god of reckless fools, which Tymora may appreciate and which is somewhat apt, considering Finder's behavior. He has also been known to fraternize with greater powers who are allies of Tymora, although as a free spirit, Finder prefers to spend his time away from stronger deities. He has also forged a good relationship with the deity Selûne, whom he shares his home plane with.
Finder is too new a deity to have any implacable foes or long-term allies, but Milil, whilst feeling somewhat threatened by him, hopes to guide Finder to a more benign outlook. Oghma is also wary of Finder, but cultists of Moander, sponsored by Lolth, seek his destruction, and deities such as Tiamat, Set, and Sebek wish to gain his patronism of the saurials, whilst deities such as Talona, Gargauth, and Yurtrus seek to steal Moander's unclaimed but guarded portfolio for themselves. <br>
<b>Dogma:</b>
Art that is forced to remain immutable is a sign of stagnation and spiritual rot. In order to thrive, people must be willing to change and transform their art so they can be renewed by it. Art has the power to influence people and politics. Although that should not be its sole use, if art can be used to keep people free and independent from social or political tyranny, it is most proper that it be used so. All art is pleasing to finder. Artistic expression should also be encouraged in all – children and adult, amateur and professional. While those persons who have learned and mastered disciplines of expression are much to be admired, also recognize the importance of natural talents.<br>
<b>Avatar/Manifestations:</b>
To show himself to Joel, he manifested himself as an elderly priest name Jedidiah. <br>
<b>Agents/Petitioners:</b>
N/A<br>
<b>The Church of Finder :</b>
Finder's church is very small, consisting primarily of younger bards and musicians, and those who seek to change and diversify the arts. His faith is strong only amongst the saurials of the Lost Vale (in the Dalelands)âwhere his is a state religion along with Chauntea'sâwho owe him their freedom (see below). His speciality priests are called Finders.<br>
<b>Day-to-Day Activities:</b>
The church of Finder is small indeed, consisting primarily of struggling young bards and artists seeking to gain fame. Its existence is seen as somewhat of a threat by the clergies os Oghma, Milil, and Lathander, despite general support from those deities themselves. Among the saurials of the Lost Vale (a hidden valley near the Dalelands), Finder's church has become well-established, as the deity is respected or venerated by most members of the race. Clerics of Finder, few that there are, spend their days creating and recreating their own art and spreading Finder's dogma across Faerun. Many make their living by teaching music, a practice strongly encouraged by the deity.<br>
<b>Holy Days/Important Ceremonies:</b>
The only official holy day of the church is the 20th of Marpenoth, the day Finder destroyed Moander's physical manifestation and then the deity's true form in the Abyss. Saurials celebrate this day as a day of emancipation, while humans celebrate it as the day Finder realized even his own music could be improved by change. In both cases, this day is observed with music, dancing, plays, and the unveiling of static art creations<br>
<b>Major Centers of Worship:</b>
N/A<br>
<b>Affiliated Orders:</b>
N/A<br>
<b>Priestly Vestments:</b>
N/A<br>
<b>Adventuring Garb:</b>
N/A<br>